Travis clark dating
Antone's can lay claim to producing Austin's last guitar hero: It was here in the late Seventies that owner Clifford Antone persuaded Albert King to let a teenager named Stevie Ray Vaughan onstage. He grew up in Austin's suburban Oak Hill neighborhood in a churchgoing Baptist family with three sisters, his mother an accountant, his dad a car salesman.This night, a crowd heavy on gray ponytails mingles inside, listening to Jimmie Vaughan play a twangy instrumental take on Little Richard's "Lucille," part of a memorial concert for Doyle Bramhall Sr., the late drummer for Jimmie and Stevie Ray. But it would be like, ' motherfucker again, sitting in on that show? He picked up the guitar in sixth grade to play with neighborhood girl Eve Monsees, spending afternoons learning Ramones songs in her garage.He is still literally one of the most desired men in the world even if he turned 54 yesterday.Okay, maybe even if you're Brad Pitt, it can be scary to put yourself back out there (as we all know, just being Brad Pitt don't impress some women much), but it is a natural step everyone has to take at some point after a breakup.
"Coming from Austin, there are so many guitar players there. It still doesn't feel fair."Clark has other things to worry about at the moment.The casually clad pair were just spotted stepping out together for a late dinner date at Palms Thai restaurant in Hollywood last night.An eyewitness states the duo seemed very close during their time out together, adding that Wilmer was a gentleman and opened the car door for Minka."[Minka and Wilmer] did have a late dinner at Palms Thai together last night.The subject of dating post-separation wasn't breached, but he didn't sound like a man ready to jump headfirst back into the dating pool.So, it's good that maybe he's put enough of his demons behind him now to at least think about it.
bone-rattling fuzz roars off the back walls of Madison Square Garden on a recent spring Saturday afternoon. stands onstage before 19,500 empty seats with his blue Epiphone hollow-body, playing the solo to "Numb" – a brooding blues song with ringing feedback, hazy harmonics and manic, octave-jumping squeals.