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He was hired by Tenkatsu to do an animation for them.Due to medical reasons, he was only able to do five movies, including Imokawa Mukuzo Genkanban no Maki (1917), before he returned to his previous work as a cartoonist.The date and first film publicly displayed is another source of contention: while no Japanese-produced animation is definitively known to date before 1917, the possibility exists that other films entered Japan and that no known records have surfaced to prove a showing prior to 1912.Film titles have surfaced over the years, but none have been proven to predate this year.Propaganda films, such as Momotarō no Umiwashi (1943) and Momotarō: Umi no Shinpei (1945), the latter being the first anime feature film, were made during World War II.During the 1970s, anime developed further, with the inspiration of Disney animators, separating itself from its Western roots, and developing distinct genres such as mecha and its super robot subgenre.In 1912, he also entered the cartoonist sector and was hired for an animation by Kobayashi Shokai later in 1916.He is viewed as the most technically advanced Japanese animator of the 1910s. The third was Seitaro Kitayama, an early animator who made animations on his own and was not hired by larger corporations.
During this period several filmmakers became famous, especially Hayao Miyazaki and Mamoru Oshii.
Yoshiyama did not refer to the film as "animation" though.
The first confirmed animated film shown in Japan was Les Exploits de Feu Follet by Émile Cohl on April 15, 1912.
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We animated a lot of environmental elements, especially underwater scenes, where we did all the seaweed floating in Moho Pro.
After the clips had been run, reels (being property of the cinemas) were sold to smaller cinemas in the country and then disassembled and sold as strips or single frames.